Two Science-Art Philosophies - Utopia or Oblivion?
Two Science-Art Philosophies - Utopia or Oblivion?
১৩ আগস্ট ২০২০ ১২:২৪ অপরাহ্ণ
A warning to the reader: this text argues that modern science has been turned the wrong way up, revealing the remedy to Steven Hawking's observation that the best mistake humanity has ever made was to create AI. The correction thereto mistake necessitates an up-to-date familiarity with Fuller and C P Snow's third culture, during which human survival is about gaining a replacement perspective on the unification of Science with Art.
Rather than this new perspective constituting an attack upon science, it draws attention to the crucial importance of Fuller and Snow's synergistic Science-Art concepts. the trouble to put those concepts within the attitude related to very recent, crucial scientific discoveries, will leave a far better understanding of the character of reality, especially, relevant to carcinogenic growth and development.
The Feb-Mar 2016 issue of Philosophy Now contained a piece of writing by Magdalena Scholle about how the philosopher, Nietzsche, inspired Dali. Her observation that Nietzsche's first book The Birth of Tragedy deserves particular attention by art critics, is now one among pivotal scientific importance. Evidence exists to demonstrate that Dali's intuitive assessment of Nietzsche's Two spirits of art, as he diagnosed it, included one spirit being an expression of an inner stereoscopic evolutionary phenomenon.
Scientists argued that Dali's documented obsession with what he called "stereoscopic art" did not resonate on to the viewers' vision. During 2003, asymmetrical electromagnetic 3D viewing glasses were manufactured and later sold alongside their patent (USD669522 - 3D glasses) to the show business. The scientists that created them noted that a number of the paintings by the artists, Vincent van Gogh and Cezanne, when viewed through their glasses, depicted stereoscopic images. The philosopher of science, Kant, laid the moral foundations of the Electromagnetic Golden Age of Danish Science. Both he and therefore the philosopher, Emmanuel Levinas, had diagnosed Plato's look for an inventive ethic as being an asymmetrical electromagnetic vision belonging to the creative mind.
Dali's passionately felt inner stereoscopic artistic inspiration has now been made visible and measurable, as an evolutionary process. This fact warrants the critical attention by philosophers of art that Scholle advocated. Asymmetrical electromagnetic visual observation now reveals that artists everywhere the planet, during the 21st Century, unconsciously paint far more dramatic 3D stereoscopic images than artists throughout recorded history. The critical attention to the present by philosophers of art will involve overcoming the severe disorientation of life science being turned the wrong way up by the new stereoscopic awareness. this is often ethically preferable to the show business ignoring it.
Eminent epidemiologists have noted that an acceleration of the commercial manufacture of stereoscopic 3D information and communication devices has caused a dysfunctional 3D global epidemic. This problem was summed up within an MIT Technology Review by David Zax July 29, 2011, entitled, Does 3D Hurt Your Eyes? Yes, Says Science - ï»¿Now how can we fix the stereoscopic mess we've gotten ourselves into? Zax refers to a paper published within the American Government's National Institute of Health's Medical Journal of Vision, July 21, 2011, during which it states "ï»¿The paper almost treats 3D sort of a strain of some virus that cannot be contained, only treated. the idea appears to be that 3D is here to remain, which nearly as good epidemiologists we must do what we will mitigate the damage it inflicts."
The natural evolution of stereoscopic inner vision and therefore the stereoscopic epidemic explains Nietzsches' 'two spirits of art', mentioned by Scholle. The above-mentioned disorientation embraces an equivalent problem that C P Snow attributed to the functioning of mainstream science's mindset. Einstein's governing 'Premier law of all of the sciences' the universal heat death law, is now an obsolete understanding of the second law of thermodynamics, which incorrectly sentences all life within the universe to frozen extinction. Quantum biological cancer research's living information flows within the other way to second law thermodynamic heat-loss energy.
Isaac Newton considered that mechanical prime mover principles were "pretentious hypothesis". Although Einstein harboured doubts about quantum mechanics' infallibility, his understanding of the second law, based upon mechanical logic, can not be considered because of the premier law of all of the sciences.
In the second edition of Encyclopaedia Perthensis or Universal Dictionary of data, Volume 14, printed in Edinburgh by Brown in 1816, Newton's rudiment logic causing gravity has been quoted under the entry 'Mechanical' on page 118. Newton most emphatically stated that the explanation for gravity isn't mechanical. Under the entry, 'Mechanically' he demonstrated that mechanical gravitation prime mover principles are pretentious. This information is quoted from Newton's published 28th Query Discussions, within the second edition of his journal, Opticks. Newton-based his denunciation of mechanical rudiment logic upon the work of Ancient Greek scientists, "... who made a vacuum and atoms and therefore the gravity of atoms the primary principles of their philosophy tacitly attributing gravity to another cause than dense matter."
Whether Newton was right or wrong is irrelevant. quantum physics and its offspring cannot deliver prime mover principle logic that has been derived from the false assumption that Newton held gravity to be caused by the mass of objects in space.
This authentic argument reveals that science is being turned the wrong way up, and it correlates with Snow's argument that modern science doesn't communicate about evolutionary biological processes, because it's no insight into true nature of the second law. The absence of scientific synergistic communication within mechanical and biological dialogue requires that substantial evidence be provided, especially, concerning the method of inner stereoscopic evolution.
The Proceedings of the National Academy of Sciences of us of America (vol. 101 no. 27, 2004) included the paper, Binocularity and Brain Evolution in Primates. It stated that while stereoscopy in primates is extremely complex, its "evolutionary purpose is unknown". Conversely, British Medical Journal on the 6th of August, 1953 ( vol 2, issue 4831) published ï»¿the paper Evolution of Binocular and stereoscopy in Man and Other Animals. In its conclusion, the question is asked whether complex inner stereoscopy within the human mind will ensure human survival or be wont to destroy civilisation. This paper led to further in-depth research and discovery, of immense human survival importance, that has been disregarded by mainstream science. Scientists like CP Snow, the Nobelist, Szent-Gyorgyi and Fuller, all realised that this dysfunctional aspect of the research project unless rectified would cause the top of civilisation.
The stereoscopic research of British scientists remained isolated from mainstream science until 2012 when it had been fused into quantum biology by Professor Massimo Pregnolato and Professor Paolo Manzelli, recipients of that year's Giorgio Napolitano Medal, awarded on behalf of the Republic of Italy. alongside the Italian artist, Roberto Denti, they linked Science-Art Research in Australia to their Italian quantum biology discoveries as being an integral a part of the 21st Century Renaissance, a rebirth of the traditional Platonic Greek Science for ethical ends.
Also, in 2012, the physicist Guy Deutscher's book of the year, Through the Language Glass upgraded the discarded 19th Century evolutionary linguistic colour perception theories of British Prime Minister, Gladstone and therefore the German philosopher of biology, Wolfgang von Goethe. The resulting neurological science was compatible with the Australian-Italian Science-Art quantum biology research findings. Furthermore, the evolutionary process of unconscious artistic intuition, observable though asymmetrical electromagnetic stereoscopic glasses provided for important optics research expansion the utilization of optical mathematics theory during the 1980s. The measurement of the vital force governing seashell growth and development through space-time, reprinted by the world's largest technological research institute, IEEE, in 1990, as a crucial 20th Century discovery, is recorded within the online book, C P Snow and therefore the NASA high Energy Project.
Dali dismissed Descartes' science research axiom, "I think therefore I am", writing in favour of Freud's rudiment being the "Joy of Life" paradigm. Platonic ethical emotional prime mover principles were related to the character of infinity by many philosophers of science including Newton, Leibniz and Georg Cantor. Cantor's mathematical theories now uphold most of recent science. However, his theory of 'actual' infinity completely upset the fashionable scientific mind, which for several years has been governed by an obsolete understanding of the second law of thermodynamics. That law led to the evolutionary belief that the living process must move toward extinction. Within this mindset, the concept that life could possibly evolve toward infinity by embracing infinite fractal logic technologies would appear impossible. Cantor, one among history's most famous mathematicians, become the foremost detested one for his highly contentious paradigm, "The fear of infinity may be a sort of myopia that destroys the likelihood of seeing the particular infinite, albeit it in its highest form has created and sustains us, and in its secondary transfinite forms occurs all around us and even inhabits our minds."
In, Beyond Infinity: Georg Cantor and Leopold Kronecker's Dispute over Transfinite Numbers, the author Patrick Carey wrote that the mathematician, Hilbert, famous for his development of Hilbert space, basic to the inspiration of functional analysis, wholeheartedly supported Cantor's work. He defended it by claiming that it had been "nothing but the best product of mathematical genius and one among the supreme achievements of purely intellectual activity." The author of Brainfilling Curves, Jeffery Ventrella, researcher of infinite boundaries of fractal curves, wrote that Hilbert's work was about different sorts of infinity, beyond mainstream science, within the highly vilified Cantorian sense.
The human cell changes its geometrical shape when it's poised to transmit rudiment cause information because it divides itself as an infinite fractal expression. In his 2009 article, The Human Genome in 3 Dimensions, Brandon Keim provides the very best resolution picture ever of the genome's 3D structure at that critical moment. Its fractal shape and not just its DNA content transmits health information during a manner "which remains largely unexplained by traditional" genomic science. In mathematical terms, the cell employs a geometrical shape belonging to the Hilbert curve family structure. Georg Cantor had thoroughly researched the Platonic Greek Science that Newton saw as being the right authority on prime mover principle logic, functioning within their infinite universes.
We can now explain about Kant and Levinas's asymmetrical electromagnetic ethics during a more sociable manner, especially, to reveal the way to obtain prime mover principles concerning the character of dysfunctional carcinogenic growth and development. They agreed with Plato that traditional art was unethical. this will be explained by pertaining to the spirit of Greek art is enhanced by the culture of the Roman Empire. The Roman Colosseum, hailed within the Roman culture because the epitome of Greek art, during which the mathematics employed in its construction were wont to construct beautiful aqueducts, carrying water to the town of Rome. This was touted as being artistically superior to the artistic construction of useless Egyptian pyramids. we will argue that the Colosseum's Science-Art form, won't to stage sadistic acts of murder for the entertainment of the populace, was an unethical kind. This dysfunctional tradition of Science-Art echoes the explanation for the worldwide stereoscopic 3D epidemic, of concern to epidemiologists.
The 3D virus of concern to the epidemiologists is transmitted to the human mind through an inventive collaboration with contaminated mathematics. Through the worldwide acceleration of data and communication devices, this virus has become an incurable epidemic. The virus appears to be a strain of the mathematical dysfunctional intent placed into poker machines, where aesthetically pleasing sounds and colour images can cause a heroin-like addiction, compelling some people to play themselves into a state of bankruptcy. Vast governmental revenue from legalised poker machine gambling echoes the structure of the worldwide stock exchange, during which the planet debt of 200 trillion dollars can't be paid.